Creating sculptural assemblages from personal detritus, body casts and fabricated elements, Stevens embodies past versions of themselves, creating corpse-like static cathartic reflections of complex bodymind traumas. Key points of meditation in the work include alcoholism, consumption, interhuman relationships, negative physical and mental health, and death. The artist draws comparisons between rituals, fooling, the sacred, the everyday, and iconography. These objects or relics, that act as souvenirs that hold memories of personal histories, are often mutated and mummified to express the horror and surreality of traumatic events and 'bad' behaviours.